THE TURN OF THE SCREW

Composer: Benjamin Britten

Librettist: Myfanwy Piper

After the 1898 novella by Henry James

20th to 23rd November 2024

 

Opera UCT presents Britten’s gripping ghost story, The Turn of the Screw, in a production by American stage director, Harriet Taylor, fresh from her two-year residency on the Jette Parker Artists Programme at the Royal Opera House, Covent Garden. With set and costume design by Marcel Meyer and musical direction by Jeremy Silver.

A young governess is sent to a remote country house to care for two children.  Before long she sees apparitions around the grounds. When she describes the sightings, they are identified by the housekeeper as the previous governess Miss Jessel and former valet Peter Quint, who both recently died. The children’s behaviour grows increasingly strange.  The Governess becomes convinced that these ghosts have returned to claim the children and vows to protect them. Full of dramatic and musical suspense, The Turn of the Screw chillingly confronts a theme which consumed Britten for much of his career: the loss of innocence.

The Opera UCT Cast and Chamber Orchestra are conducted by Jeremy Silver.

Bookings available through Webtickets and the Baxter Box office.

Book now

 

This production is generously supported by Sir Mick and Lady Barbara Davis and the Humanities Faculty of the University of Cape Town

Harriet Taylor joins us thanks to the generosity of the Jette Parker Artists Programme at the Royal Opera House, Covent Garden generously supported by Oak Foundation.

By arrangement with Boosey & Hawkes, Inc., publisher and copyright owner.

PRICE

R100 to R500 (under 18s free) 

VENUE

Pam Golding Theatre at The Baxter

RUNNING TIME

2 hours 10 minutes, including a 25-minute intermission

LANGUAGE

Sung in English with captions in English and isiXhosa

This opera contains some mature themes

Story

A young governess is sent to a remote country house to care for two children.  Before long she sees apparitions around the grounds. When she describes the sightings, they are identified by the housekeeper as the previous governess Miss Jessel and former valet Peter Quint, who both recently died. The children’s behaviour grows increasingly strange.  The Governess becomes convinced that these ghosts have returned to claim the children and vows to protect them. Full of dramatic and musical suspense, The Turn of the Screw chillingly confronts a theme which consumed Britten for much of his career: the loss of innocence.

Act 1 Act 2

A young governess has been hired to care of two children at a remote country house by their distant and preoccupied uncle. She instantly takes a liking to the children, Flora and Miles, but feels uneasy in the old house. Before long, she sees a mysterious figure in the grounds and at the window.  She describes the man to the housekeeper, Mrs Grose, who identifies him as Peter Quint, the former valet, who recently died in mysterious circumstances.  The governess vows to protect the children. Later that day by the lake, she sees another figure, and realises it is the ghost of Miss Jessel, the former governess who also died some time previously. That night, the children are lured out into the woods by Quint and Miss Jessel, but the Governess and Mrs Grose arrive just in time to save them.

The Governess confides in Mrs Grose after more ghostly sightings and is advised to contact the children’s uncle in London. She writes a letter, but Miles—urged by Quint—steals the letter before it can be posted.  At first sceptical of any danger, Mrs. Grose spends time with Flora and, becoming convinced that something is badly wrong, she takes the girl away. The governess, learning that her letter was never sent, confronts Miles. As she questions him, the ghost of Peter Quint pressures Miles not to betray him.  The governess encourages Miles to name the ghost out loud and, on doing so, Miles falls dead on the floor. The Governess cries out in grief.

Characters

CAST
in order of vocal appearance

The Prologue

Dumisa Masoka (Wed 20th, Fri 22nd); Vuyisa Xipu (Thurs 21st, Sat 23rd)

 

Governess

Molly Dzangare (Wed 20th, Fri 22nd); Zizipho Funzo (Thurs 21st, Sat 23rd)

 

Flora

Siphosihle Letsoso (Wed 20th, Fri 22nd); Jodi Carr (Thurs 21st, Sat 23rd)

 

Miles

Onalenna Maelane (Wed 20th, Fri 22nd); Alex Breslin (Thurs 21st, Sat 23rd)

 

Mrs Grose 

Nica Reinke (Wed 20th, Fri 22nd); Ntombi Nkosi (Thurs 21st, Sat 23rd)

 

Peter Quint

Vuyisa Xipu (Wed 20th, Fri 22nd); Dumisa Masoka (Thurs 21st, Sat 23rd)

 

Miss Jessel 

Karabo Rabaloi (Wed 20th, Fri 22nd); Setsoane Ntseki (Thurs 21st, Sat 23rd)

Opera UCT Chamber Orchestra

Violin 1   Farida Bacharova

Violin 2   Eriel Huang

Viola   Maya van Dyk

Cello   Graham du Plessis

Double Bass   Conroy Scott

Flute / Piccolo / Alto Flute   Lisa Thom

Oboe / Cor Anglais   John Rojas

Clarinet / Bass Clarinet   Féroll-Jon Davids

Bassoon   Brandon Phillips

French Horn   Shannon Thebus

Piano / Celeste   Lisa Engelbrecht

Harp   Jana van der Walt

Timpani / Percussion   Frank Mallows

More about the composer

Benjamin Britten

One of the 20th Century’s foremost composers, Benjamin Britten has become one of modern opera’s most prominent names.

Britten was born in 1913 to Robert Britten (a dentist) and wife Edith (a civil service clerk) in the town of Lowestoft on the east coast of England.  As a teenager, he heard the music of British composer Frank Bridge at a concert, and was so overwhelmed by it that he resolved to go and study with Bridge at the Royal College of Music in London.  There he was exposed to the newest and most exciting developments in classical music – composers including Schoenberg, Berg, Shostakovich, Ravel and Debussy – all of whom became influential in finding his own voice as a composer.  Britten was also heavily influenced by eastern music, having toured several countries in 1956 with Peter Pears. Nowhere is this more evident than in Curlew River, a piece based on a Japanese ‘noh’ play, featuring characteristically eastern harmonies and gamelan influences.

Britten’s operas are amongst the most performed of any 20th-century composer worldwide. Written for varying sizes of company, Britten’s operas often mirrored aspects of the composer’s own life.  As a pacifist and homosexual man in the mid 20th century, Britten’s operas often reflected his own sense of alienation in focusing on protagonists at odds with society in one way or another.

Benjamin Britten

For film fans:

The opera is based on the gothic horror novella, The Turn of the Screw by Henry James.

Film adaptations of the novella include:

  • The Haunting of Bly Manor (2020 Netflix miniseries)
  • The Turning (2020 Amazon Prime Film) starring Joely Richardson and Mackenzie Davis
  • The Innocents (1961 film)
  • Presence of Mind (1999 Spanish-American drama film) starring Sadie Frost, Lauren Bacall, Harvey Keitel and Jude Law.
  • In a Dark Place (2006 film) starring Leelee Sobieski, Tara Fitzgerald and Graham Pountney.