Cole May

Artist Catalogue

Virtual Exhibition

Group Catalogue Site

GLITCHING

Modern technology compels us to remain in constant interaction with our digital devices. It is strategically designed to maintain this interaction, moulding the way our brains unconsciously function. Such devices have the power to influence how we think, what we think and how we interact with the world around us. We have been so well-trained to be absorbed in these digital screens, that having to fight the indulgence becomes a deliberate act.

I recognised that I have developed a fractured attention span and an inability to focus for long periods of time. I believe this is due to constant interaction with my cellphone. I've grown into the habit of impulsively checking my phone, even when it is not necessary, has no purpose and is unproductive. This project is an active way to combat the impulse to use my cellphone. Rather than leisurely scrolling for hours, I instead become absorbed in the process of making.

I've chosen to depict a glitch aesthetic, which describes a sudden malfunction or fault of equipment. The glitch depicts the recognition of the brain malfunction I experience when I attempt to focus or work for long periods of time.

A physical interaction with materials and an intentional curation of colour and shapes, the process of making requires time-consuming labour and focus. With my usual fractured use of time and energy, these two actions are counteractive to what I habitually do. The work becomes a form of training and practice that helps me focus.

The specific people I chose to illustrate are people I believe have had a great influence on the ways that I think and how I desire to spend my time. They are not opposed to technology or against social media, but instead do not indulge in or are not consumed by it. They are deep thinkers, and help to cultivate a reflective and contemplative quality within myself.